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Absences - Various - Soul Journey (File, MP3)

It is a frenetic, serious theme, which uses sounds resembling bee buzzes and wing hovering. It's dark with a varying pace, featuring an organ to give it a classic horror feel.

Also played during Pumpkin Moon before v1. Rain , Thunderstorm. Pumpkin Moon. Alternate Underground. Frost Moon. It vaguely resembles a Christmas song but is more upbeat and uses an electric guitar with a heavy distortion applied giving it a metal feel to the track. Underground Crimson. A mix of the Underground and Crimson tracks.

A fast, abstract, and especially intense theme. Originally intended for the final boss, in the two years between the album's release and the introduction of the track in-game, plans had changed. Its album name would be used for the Moon Lord theme. Somewhat reminiscent of the Pirates of the Caribbean soundtrack. A deep and menacing track, with an emphasis on harsh percussion.

Replaced Eerie theme for this biome. Martian Madness. A loud, daunting track. Originally released as a 1. A unique, intense track with a fast tempo. Reuses part of the Lunar Towers and Space themes. Called "Lunar Boss" in-game. It somewhat vaguely resembles the Pumpkin Moon theme. Replaced "Boss 1" for this event. This track is a tense theme that uses a synth to simulate wind along with actual wind sounds as well as a sitar to give a sort of Egyptian desert feeling. Some parts of "Boss 5" and Lunar Event theme can be heard.

Old One's Army. An intense theme, more orchestral than most other Terraria songs, which incorporates bits from the the main theme of Dungeon Defenders as well as Terraria tracks Pirate Invasion, Title, Goblin Army, and Pumpkin Moon. Space Day. It has a slower and calmer feeling. Ocean Night. Ocean night. This track is more active and bouncier than its daytime counterpart.

It has a happy, peaceful sounding tone. Windy Day. A perky, cheerful, whimsical track, inspired by Winnie the Pooh [3]. Windy Day , Thunderstorm. Town day. Town Night. Town night. A bouncy, slightly silly-sounding track that plays during the event. It contains a motif of Ocean Night. Day Remix. A triumphant, powerful track that plays on the title screen. On game launch and in the 1. It is also the first track to be heard by a new player. Internally referred to as "Title Alt".

It sounds harsh and threatening, and has a slight resemblance to the Old One's Army and Sandstorm tracks. Significantly less whimsical than the Surface Jungle tracks and sounds more threatening and melancholic. Surface Jungle night.

But listening to different tracks the quality gap became more pronounced. Moving again from low-res to a studio master recording of Overture from West Side Story, a myriad of instruments improved in clarity and depth of tone.

The more layers and instrumentation the starker the difference when we moved from low- to high-res digital files. In my view, there was a real discernible difference between the MP3 or CD and the studio master tracks.

Overall the studio masters sounded fuller, more spacious and less flat. Some tracks sounded very close to CD. They sounded disconnected — something that is masked in the CD version. What was very apparent is just how bad a poor-quality MP3 sounded, how good a kbps MP3 and CD sounded, and how cutting out the middle man in the audio production chain with a studio master could have unexpected results. MP3 typically take up around 5MB per track.

More devices will support hi-res music in the near future with Samsung, Sony and LG already selling music players and smartphones capable of playing bit music. What is hi-res? Diana Ross. Uptight Everything's Alright. Stevie Wonder. Standing in the Shadows of Love.

The Four Tops. I Wish It Would Rain. The Temptations. Twenty-Five Miles. Edwin Starr. Oo Baby Baby. Smokey Robinson. How Sweet It Is. Marvin Gaye. Mercy Mercy Me The Ecology. I Second That Emotion. Love Child. Deke Richards. Ain't Too Proud to Beg. Signed, Sealed, Delivered I'm Yours.

Never Can Say Goodbye. It's the Same Old Song. Got to Be There. Elliot Willensky. I'm Losing You. What's Going On. The compact disc, as in the case of the others in the series, is for serious work, not for recreation.

This CD is inspired by an ancient northern European method for long journeying, the singing journey methods of the last of the traditional European shamans among the Sami Laplanders of northern Scandinavia. Drumming is followed by a women's chorus to provide gentle support for the shamanic journeyer. The musical bow is the percussive sound of a single plucked string stretched tautly between the ends of a bowed stick, an instrument once utilized by many tribal shamans in different parts of the world.

Here the Brazilian berimbau is played by Susan Mokelke, alone and with a rattle, providing a unique, effective sound for journeying. The slower measured beat of this recording is useful for many shamanic practices, such as calling in the spirits, and may also be used for journeying. Digitally remastered to CD June

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